Sensory Criminology

Proximity and distance: Orality and aurality in prisoner writing

The story Inside Out opens with a soldier on active duty. The narrator’s internal monologue incorporates speech, military jargon and slang, interspersed with the sounds of battle, “THUMP, THUMP, THUMP, THUMP” and “CRACKBANG!!”, which the narrator is able to read as “the tell tale thumps in the near distance of shells” and “a bullet” respectively (PRT18/6, 2018, p.1).

Deep-Sea-Soul-Sensing : deindustrialisation and the energy transition environment – Aberdeen City

…the usual urban and industrial suspects were out in force that day: the gulls shrieking alongside the stretch of constant traffic through the city centre, as if they were in competition with one another to make the most noise. Also present were the inescapable odours of fish and other pollutant pongs as a reminder of the atmospheric harm and dominance that comes with the territory of living in such an industrial environment.

The knock

“BANG, BANGBANGBANG, BANGBANGBANG

Crash. Splinter. Baton and boot.

“6 in the morning, police at my door, Fresh Adidas squeak across the bathroom floor, Out my back window I make an escape …”