Sensing towards justice: The importance of attending to the sensory when interviewing victim-survivors
Adrenaline floods my body; I can hear my heartbeat and I can feel that I am shaking slightly. Thump-thump, thump-thump. I clench my muscles in an attempt to regain some control. All of my senses tunnel in on this interaction, and everything else around me almost ceases to exist. There is an eerie stillness in being hyperaware of your breathing, of the tenseness in your body, in perceiving the other person, offset by the relative silence around me as my brain mutes out background information. But I want to do this.
They encourage the foregrounding of detail and perspective which might oherwise be regarded as peripheral, thereby utilising the weaknesses and quirks of memory while under duress; e.g. the trauma and/or distress of being caught up in a violent event. Lieutenant Jason Potts illustrates this point when he quotes Lisak (2002): “Victims are often able to recall the texture of a rapist’s shirt before being able to remember if the suspect was wearing a hat”.
place, and material stimulate the senses and memories. The distant memory of a particular smell. A trivial touch that thrusts us back to a moment of lived potency. The low toned circular sound of machinery providing momentary soothing respite. These stimulations are particularly evident at sites such as legal archives documenting traumatic pasts